Nico B, who has previously worked with Williams, brings a unique perspective to the project, combining personal anecdotes with a vast array of interviews from those who stood by Williams throughout his career. This untitled documentary aims not just to chart the history of a musician but to capture the essence of a cultural icon whose influence transcends his music.

Set against the iconic backdrop of the Masonic Lodge at Hollywood Forever Cemetery, a place as storied and rich in history as Williams’ own legacy, a special fundraiser event on March 15th will support the final stages of the documentary’s editing and post-production. Hollywood Forever, the resting place of numerous legends, provides a fitting venue to honor Rozz Williams (whose ashes are interred there), offering a bridge between past and present artistic luminaries.

The event promises an intimate glimpse into Williams’ world, featuring performances from those who shared his journey, including Gitane Demone, Paul Roessler, and Eva O, each bringing their own connection to Williams’ life and work to the stage. The inclusion of special guest Vincent Price from Body Count adds an exciting layer, blending genres and generations in a tribute to Williams’ diverse artistic reach.

For fans and newcomers alike, the event offers a range of experiences. The VIP experience, limited to 20 attendees, provides a once-in-a-lifetime opportunity to tour Rozz Williams’ memorial site, offering a tangible connection to his legacy. This, along with the chance to meet and greet band members and secure autographs, makes for an unforgettable experience. General admission opens the door to a wider audience, inviting all to partake in this unique celebration of Williams’ life and artistry.

The evening’s schedule is meticulously crafted, featuring a screening of “PIG,” a film by Williams and Nico B, followed by performances that promise to immerse attendees in the world Williams created. The event not only serves as a tribute but as a vital step in ensuring the documentary reaches completion, with proceeds going towards this goal.

The documentary, enriched by interviews with 23 collaborators and friends, including Eva O, Gitane Demone, and Rikk Agnew, aims to paint a comprehensive portrait of Williams. Coupled with a treasure trove of music, photographs, art, and video works, it’s set to be a definitive account of Williams’ life and influence.

As the event approaches, fans are encouraged to remember Rozz Williams, not just as a musician but also as an artist who pushed boundaries and left an indelible mark on the world. Through the documentary and tribute, his legacy continues to inspire, reminding us of the power of art to transcend time and space.

For more information and to support this important project, please visit the Hollywood Forever website. Join us in celebrating the life and legacy of Rozz Williams, ensuring his artistic spirit continues to resonate with generations to come.

The Rozz Williams tribute and fundraiser will be held on March 15th at the Masonic Lodge of Hollywood Forever.

Here is the schedule:

• 6:00 PM VIP EXPERIENCE
• 7:00 PM GA DOORS OPEN
• 7:30 PM SCREENING OF PIG
• 8:00 PM GITANE DEMONE & PAUL ROESSLER
• 9:00 PM SYMBOLISM
• 10:00 PM EVA O

Special guest guitarist: Vincent Price (Body Count) is joining Christian Death’s Rikk and James’ new deathrock supergroup Symbolism.

Get advance tickets here.

The post Celebrating the Legacy of Rozz Williams: A Tribute at Hollywood Forever Cemetery appeared first on Post-Punk.com.

Confronted with a relentless stream of rejection, racism, and sexism from the industry’s gatekeepers, Luckey’s fortuitous encounter with an unsuspecting passenger seemed almost fated. Unbeknownst to her, this chance encounter would propel her from the anonymity of a New York City cab to the annals of cinematic history, cementing her story as a true exemplar of the Cinderella narrative — not spun from social media virality, but woven from the threads of real-life struggle and fated opportunity.

She played him her demo tape, to which he replied, “Oh my God, what is this and who are you?”

The passenger, as it turned out, was filmmaker Jonathan Demme, and the rest is history. Q’s deep androgynous contralto made appearances in subsequent films: “Candle Goes Away” in Something Wild, 1988’s Married To The Mob, and her cover of Talking Heads’ “Heaven” in 1993’s Philadelphia. But by far, she was best known for Silence of the Lambs, in the infamous, haunting scene where Buffalo Bill seduces himself in the mirror to her song “Goodbye Horses.” The juxtaposition of her rich, honeyed voice and the horrors of his sewing room burned in the minds of millions.

As “Goodbye Horses” climbed the charts, Diane Luckey intriguingly stepped back from the limelight. After a fruitful stint in the UK, touring with her band, penning a plethora of songs, and becoming the life of every party, Luckey returned to New York City, where she dabbled in the pulsating beats of house music. However, as the ’90s drew to a close, so did the musical chapter of Q Lazzarus.

Embarking on a markedly different journey, Luckey ventured into the depths of South America, immersing herself in a tapestry of cultures and experiences. This adventurous spirit later led her to the chilly Alaskan waters, where she spent six months aboard a fishing boat. These adventures, far from the spotlight of her musical past, painted a portrait of a woman on a quest for personal growth. Luckey exemplified a relentless pursuit of diverse and transformative adventures.

Psyche, MGMT, Bloc Party, and Deftones covered Goodbye Horses, which also took on new life with Gen Z in TikTok sounds, but as time went on, Luckey stayed behind the wheel. For many years, she worked as a bus driver in Staten Island, content to live a life of privacy. At the time of her death, however, it was revealed that Luckey had been working with filmmaker Eva Aridjis on a feature documentary about her life.

Aridjis has spent the past four years making Goodbye Horses: The Many Lives Of Q. Lazzarus, an intimate documentary about the long-lost Luckey. The two met in an unexpected way, embarking on a friendship and collaboration until Q’s tragic unexpected passing in 2022. Eva has launched a Kickstarter campaign to try to raise the funds to finish her documentary, which features Q’s life story told through Q’s own words and music, many of which has never been heard before.

The Kickstarter video features the only footage of Q to be released in the past 30 years.

There will be an official soundtrack of Q’s songs which feature in the film that will be released, but a record label for this has yet to be determined.

If you would like to help Eva Aridjis preserve the legacy of Q. Lazzarus, the link to the Kickstarter is here.

This Kickstarter is an all-or-nothing venture, so if you are a fan of – or curious about – Q. Lazzarus, and would like to see her take her rightful place in the annals of music history, now is your chance.

This year, Dark Entries Records is also set to release a reissue of Q Lazzarus’s music. The label from San Francisco expressed, “We’ve been working on a Q Lazzarus reissue since we started the label 15 years ago, and it will finally see the light of day this year.”

The post Kickstarter Campaign Launched for Q Lazzarus Documentary — Dark Entries Records to Reissue Music appeared first on Post-Punk.com.

Melding a dash of 1960s psychedelia with elements plucked right from England’s ‘pleasant pastures green,’ the Abrasive Trees sound like stepping into the world of a pastoral poem, only to find that the lute player has been replaced by a reverb-mad electric guitarist. There’s a perfect synergy at work here: a veritable picnic where cucumber sandwiches meet psychedelic blacklight posters. In this musical alchemy, the ancient and modern not only coexist but dance together in harmonious step.

But that’s not all! The film also includes a live rendition of Kali Sends Sunflowers, interspersed with interview snippets guided by music journalist Andy Hill. And to add a cherry on top, visual artist Jess Wooller’s visuals are woven throughout, offering a glimpse into the band’s current artistic voyage. One can only imagine the delightful conversations and creative sparks that flew in that old mill, as Abrasive Trees set out to capture their musical exploits in a way that’s sure to be as refreshing as a brisk walk in the countryside.

“We’d aspired to create this film after meeting earlier this year to discuss what we could and couldn’t do – given our commitments to all of our other creative projects,” says Rochford. “We had considered going into a recording studio but decided to do something completely different and release some of our new material in this way. Somehow it all came together with the right people at the right time and the right place. We received financial and practical backing from the Abrasive Trees community – so it’s a genuinely crowdfunded project.”

Watch the “Mill Session” below:

In addition to being part of their local creative scene, Abrasive Trees have worked with members of Fields of The Nephilim, Rothko, Pulled By Magnets, and Jo Beth Young. Their last EP was produced by Lucy and Matthew Board from Pale Blue Eyes.

Follow Abrasive Trees:

• Instagram  
• Youtube
• Facebook
• Spotify
• Bandcamp
• Deezer
• Website

The post British Experimental Post-Punk Ensemble Abrasive Trees Debut Two New Songs Via “Mill Session” Film appeared first on Post-Punk.com.

Set to make a splash in North American cinemas this autumn, “Mutiny in Heaven,” wryly helmed by Ian White and produced by Mick Harvey and Wim Wenders, unravels six years of poetic chaos. In the documentary, we are treated to a decadent dissection of a band’s mind, wherein Nick Cave and his youthful comrades shocked polite society to its very core. Their theatrics, those guttural shrieks, a macabre dance of gothic horrors, and an utterly unruly way of life, make one wonder – was it art, madness, or an explosive cocktail of both?

From their earnest beginnings as The Boys Next Door in far-flung Melbourne, to their notorious escapades in London’s underbelly, culminating, predictably, in disbandment, this documentary does a splendid job at bottling both the fleeting moment and the now-matured musings of the band. The film generously bestows upon us clandestine footage, whimsical flights of animation, and concert snippets that are thoroughly gasp-worthy.

Expect candid tête-a-têtes with Cave and the gang, though Howard, regrettably lost to us since 2009, speaks only in memories. Sprinkle in a handful of rare spectacles, snapshots, and voilà — an unforgettable affair of celluloid infamy.

Here’s the official synopsis for the Documentary:

Narrated exclusively by the original band members, Mutiny in Heaven delves deep into a band’s psyche, chronicling how Nick Cave and his school friends startled audiences with their confrontational performances, primal screams, outlaw gothic horror, and anarchic lifestyle. Featuring never-before-seen personal footage from band members, dynamic animation sequences, and jaw-dropping concert clips, the film provides a sweaty, electrifying front-row seat to one of the most legendary live acts. It’s destined to be an instant documentary classic. The film is the first fully authorized telling of The Birthday Party.

Watch the trailer and a clip from Mutiny In Heaven:

As fortune—or perhaps crafty planning—would have it, the documentary traipses around the US just as Nick flits about on his solo and book tour. The film’s itinerary in North American cinemas kicks off in the charming climes of Gainesville, FL. Screenings will continue throughout  October, with the film descending upon Los Angeles just in time for Halloween. Release the bats!

Screening dates:

• 9/1-9/10: Gainesville, FL
• 9/10: Asheville NC
• 9/15-9/21: Durham NC
• 9/14 & 9/18: Winston Salem, NC
• 9/16-9/17: Cary NC
• 9/15-9/23: Vancouver, Canada
• 9/21 & 9/25: Silver Springs, MD
• 9/22-9/24: Pittsburgh, PA
• 9/22-9/28: New Orleans, LA
• 9/22: Cleveland, OH
• 9/22: Kansas City
• 9/23-9/24: Portland, OR
• 9/24: Chicago IL
• 9/27: Jacksonville, FL
• 9/28: Minneapolis, MN
• 9/29: Chicago, IL
• 9/29-10/1: Vancouver, WA
• 9/29-10/1: Columbus, OH
• 10/1:  DCTV Firehouse
• 10/3  Boston, MA The Brattle Theatre,
• 10/4: Nitehawk Williamsburg
• 10/6:Alamo Drafthouse Brooklyn
• 10/7-10/8: Alamo Drafthouse Downtown NYC
• 10/9: Washington, D.C.
• 10/9: Dallas, TX
• 10/9: Fairfax, VA
• 10/9: La Mesa, CA
• 10/11: Philadelphia, PA
• 10/12: Detroit, MI
• 10/13: Portland, ME
• 10/13: Atlanta GA
• 10/16: Maitland, FL
• 10/18: Dallas, TX
• 10/18: Milwaukee, WI
• 10/18: San Francisco, CA
• 10/19 & 10/26: Rochester, MN
• 10/20: Larkspur (Bay Area), CA
• 10/20: Los Angeles, CA
• 10/20: Santa Ana, CA
• 10/23: Austin, TX
• 10/27-10/29: Los Angeles (Alamo Theater)

Date TBD: Seattle, WA

The post Watch the Trailer for The Birthday Party Documentary “Mutiny In Heaven” — Film to Screen in North American Cinemas This Autumn appeared first on Post-Punk.com.

The reason for the reunion is none other than the 40th anniversary of the iconic concert film “Stop Making Sense.” The film has been restored to its former glory and will be showcased in IMAX at Cineplex’s Scotiabank IMAX Theatre. This cinematic concert-film masterpiece is the highlight of the Toronto International Film Festival and will be screened on September 11th.

Following the screening, the band will participate in a Q&A session moderated by acclaimed film director Spike Lee. Lee hosting this exciting event is likely the product of the recent collaboration between Byrne and Lee on the film adaptation of the musical “American Utopia,” as Stop Making Sense’s director Johnathan Demme passed away in 2017. For those unable to attend the Toronto event, the reunion, and Q&A will be broadcast live in theaters worldwide, with A24 releasing the refreshed “Stop Making Sense” on September 22nd for fans around the globe.

Jonathan Demme’s “Stop Making Sense” isn’t just a concert film—it’s a piece of history. Capturing the band in their prime during their December 1983 gigs at LA’s Pantages Theater, it earned its spot in the Library of Congress’ National Film Registry in 2021.

The Talking Heads’ journey has been a rollercoaster of highs, lows, and radio silences. Their shared history is magnetic, pulling them back together for moments like the film’s 15th anniversary in 1999 and that unforgettable 2002 Rock Hall of Fame performance. The reunion whispers often circled Byrne, but the current mood suggests a thawing of past tensions. Meanwhile, Byrne’s been making Broadway waves, teaming up with Fatboy Slim on the musical, Here Lies Love. Whether this reunion is a fleeting moment or a sign of things to come, one thing’s for sure: the Talking Heads’ legacy is here to stay.

The post Talking Heads to Reunite for “Stop Making Sense” Screening Panel appeared first on Post-Punk.com.

Their crime? Tattoos.

Tattoos, seen by mainstream Indonesian society as an intimidating insignia of criminals, often inked behind bars to instill fear, are etched on their faces. “They’re to scare people,” explains one patriarch. Consequently, these young men are dismissed from job opportunities, their facial tattoos both embodying and emphasizing their estrangement from the society they once belonged to. The film doesn’t shy away from the profound implications these tattoos bear on their lives, as they wander the streets, ukuleles in tow, creating punk protest songs every bit as acerbic as their 1970s-80s forebears.

A sense of camaraderie is evoked between the punks and the indigenous Dayak people, renowned for their traditional tattoo artistry. The Dayak are stubbornly hanging on to their rich, centuries-old traditions, cognizant that the encroaching future may spell an end to their culture and their lush rainforest home. This empathetic bond forms the heart of “A Punk Daydream,” a tale of the struggle to hold on to one’s identity in an unforgiving world.

“A Punk Daydream” wades into the distinctive undertow of Indonesian punk culture, through the lens of its most marginalized classes. This film captures the existential journey of Eka, a street punk thirsting for personal freedom, the embodiment of punk’s counter-cultural spirit. The narrative, however, isn’t solely confined to the subterranean punk milieu. It extends to offer a panoramic view of the socio-political landscape that engulfs the wider Indonesian society, seen through their rebellious streak. The punks and the indigenous aren’t just passive observers; their persistent acts of defiance serve as catalysts for an enduring socio-political and ecological transformation in Indonesia.

This is not just a story of survival against the odds but an audacious proclamation of hope, sowing the seeds for possible change in the fabric of a society deeply rooted in tradition. In “A Punk Daydream,” the struggle for identity and freedom, of Eka and his ilk, becomes a potent symbol of resistance, a beacon illuminating the path to revolution and reform.

The filmmakers ingeniously intertwine documentary, video art and photography with fairy-tale traditions and contemporary reality. Eka hopes to reconnect to society by acting out his own story in the film. Through the seasoned and artful lens of Jimmy Hendrickx, the film skillfully stitches together an intricate tapestry of personal struggles, the transcendent beauty of Indonesia’s landscapes, and the impassioned voices of its punks and indigenous people.

Hendrickx, steeped in the realms of video art and experimental cinema, navigates the visual narrative with an innovative touch. His extensive background allows him to venture beyond conventional filmmaking, introducing a layered exploration of different visual mediums. His unorthodox approach transforms “A Punk Daydream” into a compelling cinematic work.

After A Punk Daydream, other projects came naturally, such as Savior of the Kaja-Kaja (2019) and Slave Island (2024), which is scheduled to premiere next year.

Having great cultural and political relevance, the documentary was well received in major film festivals such as IFFR – International Film Festival Rotterdam and Hot Docs – International Competition.

The documentary is available to rent below. Its masterful storytelling is absolutely spellbinding. It’s an unflinching gaze at the relentless march of “progress,” an insatiable beast devouring the sanctity of indigenous culture and the plucky – if exhausted – resilience against the grueling poverty that persistently erodes the struggling margins of society.

Your heart will break for all the Ekas in the world, today and yesterday – and remember the purpose behind punk music.

A Punk Daydream from Harald House – creative media on Vimeo.

Learn more about A Punk Daydream:

• Trailer
• Facebook
• Instagram
• Twitter

The post A Punk Daydream — A Captivating Documentary on Indonesian Punks appeared first on Post-Punk.com.

Beetlejuice

Beetlej—

It’s official: “Wednesday” star Jenna Ortega is set to appear in the much-anticipated sequel to Tim Burton’s 1988 cult classic, “Beetlejuice.” She will step into the role of the daughter of Lydia Deetz, the character that Winona Ryder brought to life in the original film.

Although details about the sequel are still shrouded in spectral mystery, Michael Keaton will once again don the black and white stripes of the ghastly Ghost With The Most. Winona Ryder will also reanimate the role of Lydia Deetz. Adding to the excitement, Justin Theroux has been cast in an undisclosed role, raising speculation about what new dynamic he might bring to the paranormal proceedings. (Fingers crossed for the return of Catherine O’Hara!)

According to Variety, production for “Beetlejuice 2” is slated to kick off in London on May 10, and Warner Brothers has already announced a release date: September 6, 2024.

The original “Beetlejuice” was a critical and commercial success, raking in $74.7 million at the box office and spawning a Tony-nominated stage musical. After a run of four years, interrupted by the pandemic, the Broadway show called it quits in January.

The post Beetlejuice 2 Announced Starring Goth Icons Winona Ryder and Jenna Ortega appeared first on Post-Punk.com.

“Stop Making Sense” immortalizes core band members Byrne, Tina Weymouth, Chris Frantz, and Jerry Harrison, accompanied by P-Funk Bernie Worrell, Alex Weir, Steve Scales, Lynn Mabry, and Edna Holt. Filmed during three unforgettable nights at Hollywood’s Pantages Theatre in December 1983, the movie boasts unforgettable Talking Heads anthems like “Burning Down the House,” “Life During Wartime,” “Take Me to the River,” “Psycho Killer,” and “Once in a Lifetime.”.

In response to the news, the Talking Heads enthused, “There was a band. There was a concert. This must be the movie!” Although the band disbanded in 1991 and made a brief appearance at the 2002 Rock and Roll Hall of Fame induction, Byrne has firmly stated that a reunion is off the table.

Adding to the fervor, August 18th marks the arrival of the soundtrack’s digital and double-vinyl editions, replete with the much-anticipated tracks “Cities” and “Big Business/I Zimbra.” The vinyl edition, a two-LP affair, pays homage to the original 1984 limited-edition booklet by incorporating its replica, adorned with a trove of unseen photographs and fresh liner notes penned by Byrne, Weymouth, Frantz, and Harrison. Eager aficionados can ensure their copy by placing a pre-order through the Talking Heads’ official store.

The announcement was accompanied by a charming teaser, in which Byrne retrieves his iconic Big Suit from a dry cleaner and dances to the tune of “This Must Be the Place.” Immerse yourself in the engaging trailer and the full tracklist below.

Talking Heads, Stop Making Sense

1.” Psycho Killer”
2. “Heaven”
3. “Thank You for Sending Me an Angel”
4. “Found a Job”
5. “Slippery People”
6. “Cities” *
7. “Burning Down the House”
8. “Life During Wartime”
9. “Making Flippy Floppy”
10. “Swamp”
11. “What a Day That Was”
12. “This Must Be the Place (Naïve Melody)”
13. “Once in a Lifetime”
14. “Big Business/I Zimbra” *
15. “Genius of Love”
16. “Girlfriend is Better”
17. “Take Me to the River”
18. “Crosseyed and Painless”

* Previously unreleased

The post David Byrne Dons the Big Suit Once Again for 4k Cinematic Release of Talking Heads’ “Stop Making Sense” appeared first on Post-Punk.com.

‘Rema’ is a meta-analytical approach to studying rare events and sparse data. It is unknown whether 4AD post-punk legends Rema-Rema, who were one of the earliest releases on the famous label with their sole EP, based their name on the scientific term, an acronym for “rare event meta-analysis” – but if not, the synchronicity is certainly appropriate for their history: no footage exists of the band live, and only a handful of photos survive.

Documentary director Marco Porsia has taken the helm of the Rema-Rema analysis: he masterminded the highly-acclaimed documentary Swans – Where Does A Body End?. Now, he sets his sights on a new project: an intimate documentary portrait: What You Could Not Visualise.

Rema-Rema rode the first wave of post-punk between 1978-1980. The band’s innovative and unique sound, shrouded in mystery, are comparable to Joy Division, The Fall, Wire, Siouxsie and the Banshees, Cabaret Voltaire, Fad Gadget, and Throbbing Gristle. Members Mark Cox, Mick Allen, Gary Asquith, Marco Pirroni, and Dorothy ‘Max’ Prior played only 11 gigs around London in 1979, and split up before the release of their one and only record.

After his departure from punk band The Models, Allen asked former schoolmate Asquith to join in a new project, called Rema-Rema. Marco Pirroni, an original member of Siouxsie and the Banshees, was also on board. However, the band dissolved when fellow Marco Pirroni joined Adam and the Ants. Asquith, Allen, and Cox went on to form Mass, which then split up to form Renegade Soundwave (Asquith) and The Wolfgang Press (Allen and Cox). Max later joined Psychic TV.

Their sole four-track EP, 1980’s Wheel In The Roses, featured one side of studio recordings and another of live material. Their songs “Fond Affections” and “Rema-Rema” were later covered by This Mortal Coil and Big Black, respectively.

After more than 40 years, however, Rema-Rema has been resurrected via the release of  the album that they never had the chance to make, thanks to the discovery of old rehearsal tapes and live recordings.

In What You Could Not Visualise, Porsia goes on an archeological exploration to resurrect the band’s unique history to find the driving forces behind their groundbreaking sound. It includes exclusive interviews from 4AD founder Ivo, Stephen Mallinder (Cabaret Voltaire), Steve Albini (Big Black), John Robb (The Membranes), Bruce Pavitt (SubPop), Jim Thirlwell (Foetus), Gudrun Gut, and Bettina Köster (Malaria!), and Rema-Rema themselves.

This film puts Rema-Rema back in their rightful place in the history of post-punk music.

Watch the trailer below:

There is an Indiegogo crowdfunding campaign for the documentary here.

In addition to supporting the doc, go listen to Rema-Rema’s EP Wheel In The Roses, and check out their album that never was, Fond Reflections, here.

The post Documentary on 4AD Post-Punk Legends Rema Rema to be Released appeared first on Post-Punk.com.

An enticing trailer has descended upon us for a new documentary based on Simon Reynolds’ 2005  book, Rip It Up And Start Again. Filmmakers Nikolaos Katranis, Russell Craig Richardson, and Academy-award winner Leon Gast chronicle the evolution of the chaotic punk spirit as it splintered into new genres. The documentary starts at the roots – The Velvet Underground, James Brown, the Doors, Kraftwerk, Kenneth Anger, Maya Deren, German art movements, reggae/ska, the societal despondency of the Vietnam era- and works its way through the next decade and a half, as the rock genre becomes a veritable fractal of sound and its performers reinvent themselves over and over. Goth, New Romantic, No Wave, Industrial – all spawned out of a combination of poverty, boredom, government failures, immense creativity, alternatives to modern therapy, and the exploding demand to shake up the status quo.

The documentary features highly entertaining and insightful interviews with many luminaries of the era who are often overlooked in nostalgia-fests: Jah Wobble (PiL), Una Baines (The Fall), Alexander Hacke (Einstürzende Neubauten), the late Genesis Breyer-P-Orridge (Throbbing Gristle and Psychic TV) Stephen Mallinder (Cabaret Voltaire), A Certain Ratio, and Ana Da Silva (Raincoats).

The Pop Group’s Mark Stewart, who recently released the song collaboration “Cast No Shadow” with Mallinder (via Brooklyn Vegan), makes an appearance. He has no patience for “revisionist history,” and minces no words in his disdain for the mythology or living in the past…a tantalizing insight, to be sure. Mallinder himself explains that their motivation was to upend the highly commercial, macho scene in rock. Some saw punk’s example as the epiphany to strike out on their own; although Jah Wobble straight out mocks the “mannered” anger of punk, dismissing it as “bourgeois.” Never forget who you’re dealing with, here.

These interviews in the trailer are peppered with rare performance footage (including Einstüzende Neubauten) and copious photographs by the likes of David Godlis and Anton Corbijn. We also are treated to new photos of A Certain Ratio, Young Marble Giants, Fad Gadget, The Fall, Richard Hell, Siouxsie, Alan Vega, Bowie,

Although a release date has not yet been announced for Rip It Up and Start Again (a title also taken from the song by the new wave band Orange Juice), an extended trailer has been released.

Watch below:

The post “Rip It Up And Start Again” Post-Punk Documentary to be Released appeared first on Post-Punk.com.