The “Black Out” tour is a global journey, commencing on August 4 in Lokeren, Belgium, at the Lokerse Feesten and spanning iconic festivals and venues across Europe and the United States. The tour’s U.S. leg starts on September 6 in St. Petersburg, Florida, with notable stops in Philadelphia, Cleveland, Los Angeles, and notably, Chicago. In Chicago, Front 242 will make two special appearances presented by Cold Waves, underscoring the deep connection between Front 242 and Chicago, a city that has played a significant role in the band’s international success.

Following the U.S. dates, the tour will extend its international leg, visiting countries like Germany, The Netherlands, Sweden, France, the UK, and Spain, before reaching its poignant conclusion with three final concerts in January 2025, including a grand finale in Front 242’s hometown of Brussels, Belgium, at the Ancienne Belgique (AB) on the 24th and 25th.

Patrick Codenys, Jean-Luc De Meyer, and Richard 23, the core trio behind Front 242’s enduring legacy, shared their mixed emotions about concluding their remarkable journey.

“It is with a heavy mix of emotion that we close this great adventure, some 40 years in the making,” they stated, adding: “We realize that ending our journey at this time, when we are still vibrant and full of energy is how the band should be remembered. We are excited to share these meaningful final performances with our wonderful fans who have been with us through it all.”

The announcement, perfectly timed with International EBM Day, underscores the band’s deep connection to the EBM community and its history. Tickets for this historic tour will be available starting March 1, with more details on the band’s official website.

In a fitting tribute to their storied relationship, WAX TRAX! RECORDS is orchestrating an impressive FRONT 242 / CHICAGO VIP WEEK – Final Fan Experience, celebrating 40 years since the label first introduced Front 242 to the U.S. audience. This week-long homage, from November 11-17, 2024, is a heartfelt farewell to the band, featuring a plethora of events designed to showcase Front 242’s monumental impact on music history.

The VIP week in Chicago will offer an array of exclusive experiences, separate from the band’s final U.S. shows (tickets not included). Fans can look forward to unique opportunities such as a private bus tour of Chicago guided by Richard 23 & Julia Nash, exclusive access to a sound check, and a promotional-only reissue of “Endless Riddance” with an alternate cover. Additional highlights include a FRONT 242 retrospective exhibit, a special screening of the Wax Trax! documentary followed by a Q&A session with the band, access to the CLUB FRONT 242 pop-up bar, and intimate meet-and-greet sessions.

These VIP packages not only offer unprecedented access to the band but also include collectible items like a limited edition poster, a tote bag, a commemorative laminate, and a special 2024 ticket for the final U.S. shows. It’s a comprehensive celebration that honors the legacy of Front 242 and their pivotal role in shaping the industrial and EBM genres.

WAX TRAX! takes immense pride in having been the gateway for Front 242’s introduction to the American music scene. The label is now poised to give the band a grand send-off, marking the end of an era with the celebration they truly deserve. As Front 242 bids farewell with their ‘FRONT BYE FRONT’ tour, fans are invited to partake in this historic moment.

For those interested in the VIP FINAL WEEK or the band’s concluding performances, detailed ticket information can be found at the following links:

• FRONT 242 VIP Final Week
• Front 242 Live Performances

A Look Back at Front 242’s Trailblazing Path

In the annals of electronic music, few names are as synonymous with innovation and influence as Front 242. Their journey began in 1981 in Belgium, a time when the electronic music landscape was ripe for revolution. The band’s founding member, Daniel B., set the tone with the single “Body to Body,” laying a foundation that would soon support an entirely new genre.

The arrival of Patrick Codenys and Jean-Luc De Meyer for the band’s inaugural album, Geography, in 1982, marked the true genesis of Front 242’s iconic sound. With Richard 23 joining in 1983, the group’s lineup solidified, and their collective vision began to crystallize. Front 242 wasn’t just creating music; they were crafting a sonic and visual experience that transcended traditional performance art.

Front 242’s commitment to autonomy in their recording and graphic endeavors allowed them to forge a distinct identity, both sonically and visually. This independence was crucial in cultivating a unique stage presence that captivated audiences across Europe, laying the groundwork for their international acclaim.

The mid-1980s saw Front 242’s sound resonate across the Atlantic, with their signing to Chicago’s Wax Trax! Records marking the beginning of their profound impact on the American music scene. The EP Take One, released in 1984, was the first taste of Front 242 for many U.S. fans, leading to a widespread and fervent following.

As EBM began to spread its electronic tendrils across Europe, Front 242 stood at the forefront, their live performances becoming legendary for their energy and intensity. Albums like No Comment (1985), Official Version (1987), and Front By Front (1988) are considered cornerstones of the genre, with tracks like “Headhunter” and “Welcome to Paradise” becoming anthems of the EBM movement.

The 1990s saw Front 242 pushing their creative boundaries even further with Tyranny For You, Up Evil, and Off. These albums marked a departure from their established sound, incorporating new vocalists, live instruments, and innovative production techniques, courtesy of Andy Wallace. This era signified a willingness to evolve and adapt, ensuring their music remained as dynamic and relevant as ever.

Following a hiatus, Front 242’s return to the stage in the late ’90s, alongside German drummer Tim Kroker, reinvigorated their live presence. This period also saw the release of live albums that captured the essence of their performances, reflecting the band’s continuous evolution and the ever-changing nature of their setlists.

In the early 2000s, with the release of Still & Raw and Pulse, Front 242 revisited the raw, analogue sounds that had initially defined them, now enriched by decades of experience and technological advancements. This return to their roots, coupled with a forward-thinking approach, underscored the band’s enduring appeal and influence.

Front 242’s decision to eschew the traditional album-release-followed-by-tour cycle in recent years speaks to their pioneering spirit. They continue to captivate audiences worldwide, not with the promise of new material, but with the sheer power and integrity of their performances.

As Front 242 embarks on their final tour, they leave behind a legacy that is as much about the future as it is about their storied past. Their contributions to electronic music are indelible, having inspired countless artists and fans across the globe. Front 242’s journey may be coming to an end, but their influence will reverberate for generations to come.

Front 242’s Lasting Impact and Final Farewell

As Front 242 prepares for their final tour, it’s clear that their departure will leave a significant void in the EBM and industrial scenes. However, their decision to end on a high note, while still at the forefront of their artistic powers, is a testament to their integrity and commitment to their fans.

The ‘One Last Time’ tour is not just a farewell; it’s a celebration of a band that has consistently pushed the boundaries of music and live performance. For fans old and new, this tour offers a chance to experience the raw energy and innovative spirit that have defined Front 242 for over four decades.

For tour dates and ticket information and to join in celebrating the legacy of Front 242, visit www.front242.com

FRONT 242 “Black Out” Tour Dates

• AUGUST 2024
  • 04: Belgium, Lokeren – Lokerse Feesten
  • 10: Germany, Hildesheim – M’Era Luna
• SEPTEMBER 2024
  • 06: USA, Florida, St. Petersburg – Jannus Live
  • 07: USA, Philadelphia – Union Transfer
  • 08: USA, Cleveland – Agora Theatre
  • 13: USA, Los Angeles – Mayan Theatre
  • 14: USA, Portland – Roseland Theater
  • 15: USA, San Francisco – Great American Music Hall
• OCTOBER 2024
  • 12: Germany, Hamburg – Markthalle
  • 17: The Netherlands, Utrecht – Tivoli Vredenburg, Ronda
  • 18: Germany, Berlin – Huxleys Neue Welt
  • 19: Germany, Oberhausen – Turbinenhalle
  • 25: Germany, München – Backstage
  • 26: Germany, Langen – Neue Stadthalle
• NOVEMBER 2024
  • 07: USA, Houston – Rise Rooftop
  • 08: USA, Dallas – Granada Theater
  • 09: USA, Denver – ReelWorks
  • 15: USA, Chicago – Metro
  • 16: USA, Chicago – Metro
  • 29: Sweden, Göteborg – Film Studios (FutureRetro)
  • 30: Sweden, Stockholm – Berns (FutureRetro)
• DECEMBER 2024
  • 06: France, Lille – The Black Lab
  • 07: France, Paris – Le Trianon
  • 08: UK, London – Electric Ballroom
  • 13: Spain, Barcelona – Sala Apolo
  • 14: Spain, Madrid – Sala La Paqui
  • 25: Germany, Chemnitz – Dark Storm Festival

• JANUARY 2025
  • 10: Denmark, Copenhagen – Pumpehuset
  • 24: Belgium, Brussels – Ancienne Belgique (AB)
  • 25: Belgium, Brussels – Ancienne Belgique (AB)

The post Front 242 Announce Farewell “Black Out” Tour — Their Final Shows Celebrating a 40-Year Legacy of EBM appeared first on Post-Punk.com.

In 1978, Nash and Dannie Flesher sold their Denver shop of the same name and relocated to 2449 North Lincoln Avenue. They founded the music label in 1980. Before launching the independent label, Nash and Flesher would use the North Lincoln Avenue storefront to promote and produce concerts for then-unknown artists such as Joy Division, Bauhaus, The Birthday Party, New Order, Einstürzende Neubauten, The Sisters of Mercy, Divine, and more. WAX TRAX! was responsible for bringing many artists to Chicago for the first time.

“Most tickets sold ran through this iconic building”, says Julia Nash, daughter of Jim.

WAX TRAX! RECORDS is credited for popularizing a new genre called “Industrial Dance,” later shortened as “Industrial.” Ministry, Front 242, My Life With The Thrill Kill Kult, Revolting Cocks, KMFDM, Front Line Assembly, The KLF, Underworld, Coil, Psychic TV, Laibach, and more all got their footing in the U.S. through the label.

Wax Trax! opened its hallowed doors in a building that once housed a funeral parlour. They carried thousands of unique and rare titles in a vast range of genres: dance, soul, R&B, heavy metal, electronic, rockabilly, hardcore, glam, and avant-garde, as well as imports, indie releases, and bootlegs. The store was the center of underground music and culture in the Midwest throughout the 1980s and ’90s, serving as the go-to for music fans and musicians alike.  Wax Trax! was graced by huge stars during their Chicago visits: Robert Plant, Lou Reed, Nick Cave, Black Flag, Buzzcocks, and the B-52s. They remained there until relocating in 1993.

“The store itself was an underground cultural mecca for people from all over the city, statewide and internationally to discover new music (like) punk and electronic,” she told the Chicago Tribune. “At the time they were frowned-upon genres, but they became very important in music culture.” The store’s staff, comprised mainly of musicians and DJs, became a valuable source of expert guidance and tips for cutting-edge and fringe artists, paving the way toward later marketing concepts in similar stores.

Julia Nash, the director of the 2018 documentary Industrial Accident: The Story of Wax Trax! Records, found her “true self” at the store and relocated to Chicago in 1987. From there, she has immersed herself in the rich Wax Trax! legacy. She equates Wax Trax! to iconic Chicago blues label Chess Records, which enjoys landmarked status. Although the genres are different, their importance to music fans is undeniable.

Julia Nash has launched a petition for her late father’s store to be landmarked. The designation will ensure that the building will not be demolished, or the exterior altered. Nearly 5000 people have already signed as of the writing of this article. She hopes to submit a historic landmark application by March 1 to the city’s Department of Planning and Development at its March 15 meeting, a move acknowledging the store and record label’s place in music history.

“If this store or label has meant anything to you at any point in your life, we hope you will join us at preserving this important physical piece of music history,” says Julia Nash.

For more information on the landmarking effort and to sign the petition, visit petitions.com.

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The new doc, whose title is a play on the line spoken by Sean Connery in the 1987 Crime Drama The Untouchables, takes a deeper and more encompassing look at Chicago’s prominent role in the development of industrial music throughout the 1980s and ’90s.

The film’s producers write on Kickstarter:

“This movie is based in Chicago, but the story is global. Chicago was the epicenter of this style of music that rose from the dirty dancefloors to airwaves of MTV via the groundbreaking show ‘120 Minutes.’ Soon clubs from LA to Berlin were spinning these artists — but how did it start? What was the engine that made it go? What caused this beautiful marriage of dance, rock, disco, synths, aggression and attitude? Why was there a chicken needed in the recording studio for inspiration? (what?!) … It’s a story, with many wild, true, tales that needs to be told.”

After raising their first round of through private funding, the producers explain in the campaign that they’re turning now to crowdfunding via fans of the genre to cover the post-production costs such as music licensing, legal fees, physical production of a Blu-ray release, film festival submissions and more.

Head over to Kickstarter to see all the perks and awards for contributing towards the campaign here.

Watch the trailer for the documentary below:

The post “The History of Industrial Music: The Chicago Way” Documentary Announced appeared first on Post-Punk.com.

The promise was that the concert would see frontman Al Jourgensen performing material that the infamous Chicago-area industrial music label and record store Wax Trax! had billed as a “Wax Trax!-era” set.

This, the first gig of six scheduled at House of Vans sponsored events in North America saw Jourgensen reunited with former bandmate Chris Connelly, who has been on hand as part of the touring panel for the Industrial Accident: The Story of Wax Trax! Records documentary and its soundtrack, whose screening has been part of the event.

Those who purchased the soundtrack to the documentary on Record Store Day gained entry to a performance where the set was mostly late-’80s, early-’90s Ministry albums, with three songs each from The Land of Rape and Honey, The Mind is a Terrible Thing to Taste and Psalm 69.

Three songs were featured off each respective album with Connelly contributing vocals to “Burning Inside” and “So What.”

During the encore the band switched over to a track from the Revolting Cocks’ repertoire, performing “No Devotion,” with Connelly once again joining in on vocals, followed by the 1,000 Homo DJs cover of Black Sabbath’s “Supernaut”.

The set closed with the title track of Rape and Honey and the recent acoustic arrangement of “(Every Day Is) Halloween”.

Ministry’s next gig this series of special performances continues in Brooklyn tomorrow, with dates to follow in Toronto, Austin, San Francisco and Los Angeles to follow over the next nine days.

Each evening features a documentary film screening, panel discussion, Q&A, and a performance by Ministry and Cold Cave.

Check out Vans’ Record Store Day site for ticket information.

See the setlist and video footage from Saturday night’s concert below:

“Industrial Accident” Wax Trax! Events with Ministry

• April 15: Music Hall of Williamsburg, Brooklyn, NY
• April 17: Danforth Music Hall, Toronto, ON
• April 19: Fair Market, Austin, TX
• April 22: Great American Music Hall, San Francisco, CA
• April 23: Teragram Ballrom, Los Angeles, CA

Ministry, House of Vans, Chicago, 4/13/19

1. “The Missing”
2. “Deity”
3. “Stigmata”
4. “Jesus Built My Hotrod”
5. “Just One Fix”
6. “NWO”
7. “Thieves”
8. “Burning Inside” (with Chris Connelly)
9. “So What” (with Chris Connelly)
10. “No Devotion” (Revolting Cocks cover with Chris Connelly)
11. “Supernaut” (Black Sabbath cover)
12. “The Land of Rape and Honey”
13. “(Every Day Is) Halloween” (Acoustic with Chris Connelly)

The post Ministry Performs Late 80’s and Early 90’s “Wax Trax! Era Set” Last Night in Chicago for Record Store Day appeared first on Post-Punk.com.

The Brisbane, Australia twins Chris and Sean Campion have yet again proven they are well-versed in the EBM spectrum, delivering a unique point of view to the genre. While maintaining its dance floor readiness, High on the Hog‘s tracks maintain a lightness that makes it easy – and addictive – to keep on repeat. While Multiple Man’s sound is unique, the EP has tinges of mid-80s Cabaret Voltaire alongside the quirkiness of Wax Trax! releases such as Acid Horse or PTP.

Post-Punk is excited to premiere the title track from this album, which is, as they say, “an end of history banger for the psycho rollerball time we live in.” Be sure to catch them on tour this spring in both Europe and the US. Dates below. 

EU
April 27th – London @ Test Pressing Festival
April 28th – Glasgow @ Stereo
May 2 – Poland @ DOM
May 3 – Berlin @ Urban Spree
May 4 – Paris @ Espace B
May 7 – Budapest @ Lärm

USA
May 16 – Brooklyn @ BK Bazaar
May 17 – Chicago @ Burlington Bar
May 18 – Minneapolis @ Kitty Kat Club
May 24 – Los Angeles @ TBC

You can purchase the record here. More info here.

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The 90 documentary chronically one most important institutions Industrial Music— the Wax Trax! Records shop and record label.

The doc features interviews with Steve Albini, Jello Biafra, Chris Connelly, Cosey Fanni Tutti, Dave Grohl, Al Jourgensen, Ian MacKaye, Trent Reznor and many more.

To celebrate the documentary’s release,  the film will hitting the road for a six-date “Wax Trax! Experience” tour co-presented by House of Vans and Record Store Day.

Along with a screening of the film will be a special performance by Ministry who promise to play a “Wax Trax! era, early 90’s set”, stopping at 1992’s Psalm 69.

Cold Cave will be opening during all dates.

Every screening of the Wax Trax! Documentary has been packed with panelists associated with the labels history, and this tour is no exception.

Post-screening Q&A’s will feature Paul Barker (Ministry, Revolting Cocks, Pigface), Chris Connelly (Ministry, Revolting Cocks, KMFDM), documentary director Julia Nash, Rick Wojcik (Dusty Groove Records owner), and Record Store Day’s Carrie Colton.

(Some surprises may be in store for Ministry’s live set, given that former members are part of the panel.)

The tour begins on April 13th for Chicago on Record Store Day continuing in Brooklyn on the 15th, before heading to Toronto on the 17th, Austin on the 19th,  San Francisco on the 22nd, and Los Angeles on the 23rd.

All shows will be free and tickets will be given out at local independent record stores on Record Store Day. Venues TBA.

The soundtrack for the doc will be a Record Store Day release issued on several different vinyl editions which include a 40 page booklet, and ten “unreleased, out-of-print and classic songs” by Ministry, My Life With The Thrill Kill Kult, Revolting Cocks, The Young Gods and more. (See full tracklist below.).

The DVD/Blu-ray of the film is also out on Record Store Day. Watch the trailer below:

Vans Presents: Industrial Accident: The Story of Wax Trax! Records Experience Events

• 4/13: Chicago
• 4/15: Brooklyn
• 4/17: Toronto
• 4/19: Austin
• 4/22: San Francisco
• 4/23: Los Angeles

The post Ministry to Play 80s and 90s Wax Trax! Era Set on Tour with the Industrial Accident Documentary appeared first on Post-Punk.com.

As previously reported on Post-Punk.com, Jim’s daughter Julia Nash has developed the documentary “Industrial Accident: The Story of Wax Trax! Records”, which has, so far, only been screened at film festivals and special events.

The doc features interviews with Steve Albini, Jello Biafra, Chris Connelly, Cosey Fanni Tutti, Dave Grohl, Al Jourgensen, Ian MacKaye, Trent Reznor and so many more.

Now, music fans worldwide will get a chance to watch not only watch the documentary on DVD, but will also be able to pick up the official soundtrack, with both being released on April 16th, 2019.

The soundtrack for the doc will be issued on several different vinyl editions which include a 40 page booklet, and ten “unreleased, out-of-print and classic songs” by Ministry, My Life With The Thrill Kill Kult, Revolting Cocks, The Young Gods and more. (See full tracklist below.)

The CD version, in lieu of the booklet, instead promises 4 mystery bonus tracks.

Listen to an unheard, unreleased track by Revolting Cocks from the soundtrack below or by calling 1-833-WAX-TRAX.

Both the film and it soundtrack are now available for pre-order here.

Soundtrack:

1. My Life With The Thrill Kill Kult, “A Daisy Chain 4 Satan” (Acid and Flowers Mix)
2. Revolting Cocks, “Animal Nation”
3. The Young Gods, “Envoyé”
4. Pankow, “Me and My Ding-Dong”
5. KMFDM, “Vogue” (Apart Version)
6. Ministry, “Tonight We Murder” (Original Version)
7. Front 242, “Headhunter” (Live in NYC)
8. Mussolini Headkick, “Your God is Dead”
9. Laibach, “Leben-Tod”
10. Chris Connelly, “Shipwreck”

Formats:

• Vinyl — Standard Edition
  Black vinyl
  Includes 40+ page book
• Vinyl — Deluxe Edition
  Black vinyl, Gatefold cover
  Includes 40 page book, mystery 7” with unreleased tracks
• Vinyl — Cash Grab Edition
  Limited translucent white vinyl, Gatefold cover
  Comes with 40 page book, translucent white mystery 7” with unreleased tracks, documentary Blu Ray with bonus disc, postcard set, slipmat, patch, poster, 7” adaptor, enamel pin, packaged in a custom box. Cash Grab Preorder comes with a second mystery 7” of additional unreleased material on translucent white vinyl.
• CD — Standard Edition
  Includes 4 mystery bonus tracks

The post Wax Trax! Documentary and Soundtrack out on DVD and Vinyl In April | Listen to an Unreleased Revolting Cocks Track From the Film appeared first on Post-Punk.com.

The news came via a email sent to the project’s Kickstarter backers from Julia Nash, the daughter of late Wax Trax! co-founder Jim Nash.

In the message she writes:

“I can report with 100% certainty that we will be releasing both the DVD and the soundtrack in April of 2019. We have officially cleared the last of our commercial licensing hurdles. Just to be crystal clear, this isn’t ‘we’re working on it’ or ‘if everything goes as planned,’ or any other ambiguous language in case we run into obstacles. The soundtrack WILL be released in conjunction with the DVD next April.”

Nash also goes on to mention a Blu-Ray release  and special editions of the film that may feature extended cuts:

“We will be rolling out special editions throughout next year, but the current cut of the film will be available in April.”

No details about the soundtrack exists at this time.

Originally announced in 2013, Industrial Accident: The Story of Wax Trax! Records is  a 90 documentary chronically one most important institutions Industrial Music— the Wax Trax! Records shop and record label.

The film has received several special screenings since April of 2017, events which included special panel appearances by industrial music artists such as My Life With the Thrill Kill Kult, Revolting Cocks, Ministry and Front 242. Theseartists along with Nine Inch Nail’s Trent Reznor, Ian MacKaye, Dave Grohl, and more are featured in the trailer below

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The 90 film, which received its first public viewing this past April in Chicago—will be held at Hollywood’s Montalbán Theater on Thursday, November 9, 2017

The Hollywood event will feature key artists from past Wax Trax! bands joining a panel discussion of the label’s history. The Q&A event will take place after the film, and will feature Groovie Mann and Buzz McCoy of My Life With the Thrill Kill Kult; Paul Barker of Pailhead, Ministry, 1,000 Homo DJs and Lead into Gold; Chris Connelly of Revolting Cocks, Acid Horse and Ministry; Richard 23 of Front 242 and RevCo; and Julia Nash, daughter of late Wax Trax! co-founder Jim Nash.

A special pop-up shop will also open in the theater offering original vinyl pressings, collectables and memorabilia from the Wax Trax! archives. Tickets to the event will also include a limited Wax Trax! documentary poster, and fans who buy VIP tickets also will get a private meet-and-greet with the artists before the screening.

Tickets run from $29-$80 and are on sale now.

The post A special screening of ‘Industrial Accident: The Untold Story of Wax Trax! Records’ in Los Angeles this fall appeared first on Post-Punk.com.

My Life with the Thrill Kill Kult will be hitting the road in celebration their 30th anniversary this fall with the new single and a classic albums tour.

The Industrial/Electronic Rock Wax Trax! veterans will be performing their first two albums, 1988’s I See Good Spirits and I See Bad Spirits and 1990’s Confessions of a Knife, along with “other TKK faves” — each night of the 23 date tour.

East Coast dates have have yet to be announced, but are promised by TKK co-founder Buzz McCoy.

The kurrent lineup of Thrill Kill Kult—who are working on a new album and single—features co-founders McCoy and Groovie Mann, plus Mimi Star on bass,”Bomb Gang Girl” Arena Rock on vocals and drummer Bradley Bills.

My Life With the Thrill Kill Kult tour dates:

Oct. 6: 191 Toole, Tucson, AZ
Oct. 7: Tricky Falls, El Paso, TX
Oct. 10: Diamond Ballroom, Oklahoma City, OK
Oct. 11: Trees, Dallas, TX
Oct. 12: Industry, San Antonio, TX
Oct. 13: Elysium, Austin, TX
Oct. 14: Scout Bar, Houston, TX
Oct. 15: La Hob Parish, New Orleans, LA
Oct. 17: Ready Room, St Louis, MO
Oct. 18: Skully’s, Columbus, OH
Oct. 19: Machine Shop, Flint, MI
Oct. 20: Bottom Lounge, Chicago, IL
Oct. 21: Amsterdam Bar, St Paul, MN
Oct. 23: Vega, Lincoln, NE
Oct. 24: Oriental Theater, Denver, CO
Oct. 27: Studio Seven, Seattle, WA
Oct. 28: Dante’s, Portland, OR
Oct. 30: Holy Driver, Sacramento, CA
Oct. 31: Brick & Mortar, San Francisco, CA
Nov. 2: Beauty Bar, Las Vegas, NV
Nov. 3: 80′s Bar, Corona, CA
Nov. 4: Teragram Ballroom, Los Angeles, CA
Nov. 5: The Casbah, San Diego, CA

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